Audition Photographs
For audition photographs I generally have the dancer rent a naturally-lit studio for us to work in. The other option is to do a session with a seamless backdrop and full lighting. In the latter set-up a costume would look appropriate if that is the type of formal image needed.
For most auditions a simple portrait in a ballet studio will more than suffice. An image will not be able to convey your movement qualities as a dancer. What the company really needs is to recollect who you were at the audition based on the image you submit--your proportions, your line, the arch of your feet, and the length of your neck and arms as well as your facial appearance.
The most commonly required image is first arabesque on pointe. I always have dancers position themselves in profile to the camera. If they do the arabesque on the diagonal they run the risk of foreshortening their line. Naturally, when photographing an arabesque or a tendu a la seconde, do choose your best side to represent you. What I like to do is to have dancers prepare a list of the positions that are required for their various auditions and then a list of a few positions or jumps that they do well and would like to try in addition. Preparation and knowing which positions suit you is essential.
Always look neat, and wear clean pointe shoes that are well broken-in, your newest tights, and your most flattering leotard. I ask dancers to bring two different leotards so that we have some variation. Avoid wearing watches, jewelry or too much make-up. As with a headshot session, it can be comforting to have music while you work. Perhaps most importantly, be certain to warm up very well before the session. In order to look your best your back must be warmed up and your feet as well.